Rosa Walton reprend Drive on Saturday

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Léonard de Vinci, Raphaël, Michel Ange, les chefs d'œuvre des grands maîtres
prennent vie en lumière, en musique et en mouvement.
Renaissance, un voyage fascinant au cœur de l'époque qui a changé notre regard sur le monde.
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Il est 9h pile et pour se dire à très vite en beauté,
toujours en direct depuis Londres pour cette matinale spéciale David Bowie,
voilà que Rosa Walton, Rosa Walton,
vient de nous rejoindre ici dans ce studio monté donc dans le sous-sol du bar du Starman.
Hello Rosa.
Hello.
Welcome.
Thank you very much.
Thank you for being here.
Ah, thank you so much for having me.
How do you feel?
Yeah, really good.
I'm excited.
Rosa Walton, donc du groupe peut-être que vous connaissez Let's Eat Grandma
et qui a aussi sa carrière solo.
Maybe people know you, so I was talking about Let's Eat Grandma.
Also you did the music for video game Cyber Punk.
Yeah.
Elle a vu la musique du jeu vidéo Cyber Punk
que notre réel céleste connaît très bien, est très content.
So how would you define the sound of your music?
We're going to hear you sing.
Comment est-ce que tu définirais le son de ta musique en attendant de chanter?
How would you define it for someone who has never heard the sound of the music that you do?
Ah, that's a difficult question.
The music that I do with my band is very different from my solo music
which is yet to be released.
You can be released soon.
Donc la musique qu'elle fait avec Let's Eat Grandma,
le groupe, c'est très différent de ce qu'elle fait seul.
Yeah, but I guess there's some thru-flyers.
Like it's just like weird pop, really.
Ok, juste chelou à un propos.
Ok, great.
And so you have an album dropping soon.
Vous avez un album qui sort bientôt?
Yeah, I don't know if that's actually something
which has been announced yet.
So I guess no, I don't have an album dropping soon.
Elle sait pas si c'est encore annoncé.
Donc elle dit non, pas forcément.
Eventually it's gonna...
Eventually it might exist if I come out.
It's possible.
Ok, il n'y a pas encore de date.
Donc vous êtes là pour chanter du David Bowie.
You're here to sing something, a song from David Bowie.
My first question would be about that.
I guess he's been an influence somehow.
So how?
Comment est-ce que David Bowie a été une influence pour elle?
I mean, yeah, in so many ways.
I'm gonna do Drive in Saturday, which is my favourite Bowie song.
Which conveniently is a less well-known one
cause I didn't want to absolutely murder Starman or something like that.
Ok, mais c'est que David Peur aussi de reprendre les groupes comme Starman.
I get it.
Yeah, just Bowie's whole attitude
and everything to being an artist, I guess.
As so many artists, it's incredibly inspiring.
Tout son attitude, comme il est tellement inspirant.
Yeah, just his whole artistic vision
and reinventing himself and all of these different characters.
Sa vision artistique, de son cesse de réinventer.
Yeah, there's a lot to relate to about that
and I think that should show people a lot about what it is to be human
because he really did that and branched out with himself
and who he was and all of his art.
Ta manière d'être humain, comment est-ce qu'on fait pour être humain?
Yeah, yeah.
But it's really good to be able to learn
one of his songs I don't usually do cover
so it's interesting just to say
and I have obviously no idea
how he came up with all of these chords.
Elle n'a pas l'habitude de faire des reprises
donc c'est un gros challenge aussi pour elle
de faire cette reprise.
Je n'ai aucune idée de comment est-ce qu'il est arrivé
avec tous ces accords qui sont complètement...
Yes, it's really surprising how the chords progress.
Yeah, it doesn't make any sense to me
and that's why it's so great.
Ce n'est aucun sens, c'est pour ça que c'est génial à jouer.
Well that's wonderful, we're really excited to hear you
and this is the closure of this great show.
So driving Saturday, if you want,
you can go, Elvalie Saint-Stalier, Rosa Walton,
avec sa très jolie guitare électrique rose d'un rose pâle.
Tu fais comme Nelson Montfort, la traduction en simultané.
En direct, ouais.
Wow, j'adore, c'est vrai.
Driving Saturday, donc Rosa Walton m'a nous interpréter.
La troisième track de Aladdin Sane,
une chanson de fiction dans un morceau
où il imagine 2033 post-apocalyptique.
Les humains ont oublié comment faire l'amour,
ils vivent dans la rue ou sous des dômes,
ils s'entraient dit tentent de se reconstruire sacré.
Un truc, cette histoire qui revient parfois chez Bowie,
c'est un sentiment de nostalgie futuriste,
c'est-à-dire c'est quelqu'un du futur qui regarde le passé,
cette nostalgie futuriste sur Driving Saturday,
que Bowie a imaginé en regardant des lumières chelous
dans un train de nuit pendant sa tournée américaine.
Driving Saturday par Rosa Walton,
sur Nova le matin, c'est tout de suite.
Don't forget to turn on the light
Don't laugh baby it'll be alright
Pull me out another phone
I'll ring to see if your friends are home
Perhaps the strange ones in the door
Can learn just a book
We can read up alone
And try to get it on life once before
When people stood in Jagger's eyes and scored
Like the video films we saw
And he'd shrug and ask to stay
And she'd sigh like a twig the wonder kid
And turn her face away
But she knows she's a crash course for the ravers
It's a draw in Saturday
Young for men pay at work
Neither hands nor limbs would burst it
Hard enough to keep formation
Mid this fallout saturation
Cursing at the astronaut
Who's standing still by his cabinet
He's crashing out with Sylvia
A pure supply for aging men
With snorting head
He gazes us to the shore
A wanted rage
The seared rage no more
Like the video films we saw
And he'd shrug and ask to stay
And she'd sigh like a twig the wonder kid
And turn her face away
She's uncertain if she likes him
But she knows she really loves him
It's a crash course for the ravers
It's a draw in Saturday
It's a draw in Saturday
It's a draw in Saturday